Works for solo piano composed and performed by Loren Rush for enhanced piano in just intonation (5-Limit and 7-Limit tunings). Recorded in the Virtual Acoustical Environment at Good Sound Foundation's Skyline Studio. (60 minutes)
Composer/performer Loren Rush (enhanced piano in just intonation), Mel Graves (bass), George Marsh (percussion), and Timothy White (sitar) premiere Five-Limit Slow Blues and Seven Limit Slow Blues during Good Sound Festival '92 at Life On The Water Theater, San Francisco. Recorded in the Good Sound Foundation's Virtual Acoustical Environment. (95 minutes)
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Composer, pianist, acoustical systems designer, specialist in digital audio research, co-founder and president of Good Sound Foundation. He has directed research in digital recording and editing systems, digital audio signal processing, simulation of acoustic environments, and development of intelligent systems for musical analysis. His I'll See You in My Dreams for amplified orchestra and audio tape (1973), commissioned by Niklaus Wyss and the San Francisco Symphony, is the first composition to employ the artistic use of amplification of a symphony orchestra. His Song and Dance (1975), commmissioned by Seiji Ozawa and the San Francisco Symphony, is the first orchestral composition to employ computer-generated digital synthesis in performance.
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