New Catalog Listings

Jonas Braasch - Global Reflections

From the liner notes:
The core of the project "Global Reflections" is a collection of Binaural Soundscapes which were recorded between the years of 1998 and 2006. They are presented on the odd tracks of this CD. What has fascinated me most about these pieces is nature's ability to align independent events to form interesting patterns. For this, I took the standpoint of the observer; my credits are merely due to choosing the time and place of the recording. Consequently, the effect is often similar to aleatoric works of music. I hope you will share my enthusiasm about the variety of auditory icons in each Soundscape, which makes a city identifiable. All even tracks contain pieces of my own work. The solo improvisations in Tracks 2, 6, 10, and 14
can be seen as an abstract transformation of my perceived environment. Only the beginning theme in Track 2 was fixed before the recording. In Track 10, you might be able to notice my affection for repetitive and machinery like sounds.

Tracks 4, 8, and 12 consist of ensemble recordings with soprano saxophone, Moog bass, and Soundscape fragments. One goal was to preserve the original character of each instrument or environmental sound opposed to making their origin unidentifiable through extensive electronic processing. Indeed in some cases, the lengthy Soundscapes shape the character of the piece, and again I am surprised how often their aleatoric elements tend to fit perfectly into the music. "A Night in Battambang" was written in 1995 while visiting my parents in Cambodia. The piece was performed using the classic rock trio formation of lead instrument, bass and drums when I arranged the song for this CD. "Time to Move On" is based on a Turkish 9/8 rhythm, the Karsilama. Originally, the piece had a theme but in the end, I liked the track better without it. I decided to counterpoint the long, circular-breathed saxophone phrases with abrupt changes for the remaining instruments. The ballad, "Blues Me," started as an experiment while wondering why tenor saxophone ballads are usually slower than alto and soprano saxophone ballads. At 50 beats per minute, this ballad is at the lower end of most Tenor Ballads. Long Soundscape passages were chosen to reflect the lethargy.

Jonas Braasch is a soprano saxophonist, improviser/composer, acoustician and a dedicated collector of binaural soundscapes. He grew up in the Ruhr Area, Germany's cultural melting pot, and Pusan, South Korea. His saxophone style expands the traditional repertoire [in both Classical Music and Jazz idioms] by incorporating various non-western elements, as well as original extended techniques.

Another aspect of his work is the integration of soundscapes and other concrete elements, a clear reflection of his personal relationship with the environment. This sensibility has inspired him to create complex synthetic sound fields which he then integrates into his compositions. To improve the control over the spatial parameters of these sound fields, he developed a
virtual environment to simulate sound recording techniques based on Virtual Microphone Control (ViMiC).

This recording has been optimized for sound reproduction with headphones.
Item number DL-CD-34; CD $16.00



Pauline Oliveros - Lion's Eye/Lion's Tale

Lion's Eye for Gamelan was commissioned in 1985 by Barbara Benary for Gamelan Son of Lion. Lion's Eye for Synthesizer was commissioned concurrently by Neil Rolnick for iEAR Presents at Rensselaer Polytechnic Institute. Both versions were performed in 1985. The intention to combine both pieces in order to expand the tempo range of the Gamelan was first realized in May of 1989 in performances by the Berkeley Gamelan in Oakland and San Francisco, California under the direction of Daniel Schmidt. This version of Lion's Eye is recorded on this disc. The duration of "Lion's Eye" is forty-five minutes. "Lion's Tale" (1989) is composed of layered polymetrical, polyrhythmical patterns. The patterns are played at speeds ranging up to 1800 per minute. The composer designed patterns are generated by the computer program. "Lion's Tale" may be created in a new version every time the program is run. "Lion's Tale" also exists in a MIDI version for a keyboard performer. Both versions are available from Deep Listening Publications. Known internationally as a composer, accordionist and teacher, Pauline Oliveros's work in improvisation, electronic techniques, teaching methods, myth and ritual, and meditative and physical consciousness raising has changed the course of American music. She left the University of California at San Diego in 1981, at the rank of full professor, in order to support her ideas, creative projects and collaborations. All of her work emphasizes attentional strategies, musicianship and improvisational skills. Oliveros' compositions have been performed worldwide.

Item number DL-CD-28; CD $16.00

(suspended) Suspended Music

Now out on DVD. Includes Pauline Oliveros' Epigraphs in the Time of Aids with the Deep Listening Band and Ellen Fullman's Long String Instrument. Recorded at the Candy Factory in Austin TX. - (Periplum P0010 1997). "Best of the year" 1997 Sarah Cahill, Berkeley Express - Berkeley CA (1995)

Item number DLB-DVD-1; DVD $20.00

 

Primordial Lift - Full Version

"Originally released on the Table of the Elements label and long out of print, this version of the recording contains an additional 30 minutes of material not included on the original release. Recorded live on March 20, 1998 at Hallwalls, Buffalo, NY. Primordial/Lift is based on information concerning the shift in the resonant frequency of the earth from 7.8hz to 13hz given in Awakening to the Zero Point by Gregg Braden, Radio Bookstore Press (1997). According to Braden, the resonant frequency of the earth was measured as 7.8hz in 1960 and by 1994 the measurement was at 8.6hz and it will rise to 13hz by 2010. At the same time the magnetic fields of the earth are diminishing in strength towards zero point. By the time that 13hz is established as the resonant frequency the magnetic fields will reverse their polarity - North will become South and vice versa. The acceleration from 7.8hz to 13hz of the earth's resonant frequency is represented in Primordial/Lift by a low frequency oscillator." Pauline Oliveros - accordian & electronics, voice; Andrew Deutsch - electronics & toy piano; Tony Conrad - electric violin & ring modulator; Anne Bourne - cello & voice; Alexandria Gelencser - electric cello; David Grubbs - harmonium; Scott Olson - low frequency oscillator.
Item number DL-CD-33; CD $16.00


Fritz Hauser - Deep Time

Pauline Oliveros, accordion & Expanded Instrument System; David Gamper, Expanded Instrument System electronics, misc. small instruments; Urs Leimgruber, soprano & tenor saxophones; Fritz Hauser, percussion

DEEP TIME is a tape composition commissioned in 1991 by the Deep Listening Institute for Deep Listening Band.

Fritz Hauser's tape features recordings of sounding stones (manufactured by Arthur Schneiter) and various watches and clocks (thanks to the Bucher family in Switzerland for permission to record that family clock!). The performers improvise with the tape. On October 26, 1994 Pauline Oliveros, David Gamper, Urs Leimgruber and Fritz Hauser recorded 2 versions of DEEP TIME. Both of these 32 minute recordings are included here.

Fritz Hauser is a drummer and composer from Basel, Switzerland. He has developed his sound language in varied ways. From solo concerts, in diverse ensembles, through multi-media projects (theater dance film radio) and many recordings, he has contributed to the development of the drumset from a mere timekeeper to an instrument in its own right.

Known internationally as a composer, accordionist and teacher, Pauline Oliveros's work in improvisation, electronic techniques, teaching methods, myth and ritual, and meditative and physical consciousness raising has changed the course of American music. She left the University of California at San Diego in 1981, at the rank of full professor, in order to support her ideas, creative projects and collaborations. All of her work emphasizes attentional strategies, musicianship and improvisational skills. Oliveros' compositions have been performed worldwide.

Composer/performer David Gamper is especially concerned with music performance electronics. He received a BA in mathematics in 1967 from Bowdoin College, and returned there in 1969 to study composition with Elliott Schwartz and establish their electronic music studio. He then went on to the University of California at San Diego where he studied composition with Pauline Oliveros and Roger Reynolds and received his MA in music. Since moving to New York in 1989 he has been working primarily with Pauline Oliveros. He is director of development for the Expanded Instrument System (a project of the Deep Listening Institute) and performs and records around the world with Oliveros and as a member of Deep Listening Band.

Urs Leimgruber has been active for many years in the areas of contemporary improvisation, composition, jazz and new music. One of his earliest associations was as a member of the electric jazz/free music group 'Om' with Christy Doran, Fredy Study and Bobbi Burri, and he later formed the 'Reflexionen' quartet with Don Friedman and Bobby Burri in New York. His own projects have included 'Ensemble Bleu', 'Xylem', e_a.sonata 02 with the ARTE saxophone quartet, as well as a long association with Fritz Hauser: as a duo with the ongoing Music for saxophone and percussion; in the Leimgruber/Roidinger/Hauser trio; a trio with Joëlle Léandre; and a trio with Marilyn Crispell. More recently he formed 'quartet noir' with Marilyn Crispell, Joëlle Léandre and Fritz Hauser and a trio with Jacques Demierre and Barre Phillips.
Item number DL-CD-32; 2 CDs $20.00

 

Things Heard Unheard

Brian Willson, percussion; Dominic Duval, bass; Yuko Fujiyama, piano and percussion

THINGS HEARD UNHEARD is the first recording by Brian Willson as a leader. This recording is a combination of completely free improvisation-no guidelines whatsoever other than listening-and composed pieces, nothing written, but discussion of the nature of the work to be performed. Influenced by free jazz of the 60's, world music, and contemporary, Willson fuses these elements into a diverse amalgam of improvised music-some pieces are classic free piano, bass and drums, evidence of the strong Cecil Taylor influence abounds, others are evocative of Eastern culture utilizing sounds and instruments particular to Tibet, Japan and China, evoking images of Buddhist ritual. Brian had played with Yuko and Dom individually and they enjoyed a long friendship collectively, but this was the first musical meeting of this trio of gifted musicians. The recording is a culmination of years of performing for Brian Willson.

Item number DL-CD-31; CD $16.00   

 

(software)Deep Listening: A Composers' Sound Practice

An exciting guide to ways of listening and sounding. This book provides unique insights and perspectives for artists, students, teachers, meditators and anyone interested in how consciousness may be affected by profound attention to the sonic environment. Written by Pauline Oliveros.

Item number PO-W-4; Book $13.95   



ZANANA - Holding Patterns

Zanana (za-NAH-nah) is an electro-acoustic chamber music duo featuring Kristin Norderval, (voice) and Monique Buzzarté (trombone) collaboratively composing and performing improvised music blending acoustic sounds, electronics and live processing. Zanana's inception dates from an all-night peace vigil concert in the fall of 2002 when Kristin invited Monique and poet Barbara Barg to join her for an evening of improvised music and spoken word. Since then Monique and Kristin have continued developing repertoire as a live processing duo, recording and performing in venues ranging from concert halls to clubs to abandoned buildings. Zanana uses improvisation as the foundation of their compositional process. While some works are free improvisations, some are structured improvisations and some are composed works with aleatoric elements, all are rooted in the expansive practices of Deep Listening. Zanana takes its name from a variant spelling of "zenana," the portion of a house in southwestern Asian countries exclusively dedicated to women.

Holding Patterns is a compilation of live recordings selected from Zanana's first season of performances. Gasholder Duet is an improvised duo of unprocessed acoustic sounds recorded live inside the historic Gasholder Building in Troy, NY. Doorjam and Ghost Dog combine live processing of both the voice and trombone sampled in real-time with prerecorded soundfiles of ambient recordings made at the Gasholder Building and prerecorded and electronically processed voice soundfiles. Flags, Title X, and What a Pretty Dog were recorded live in concert in New York City. Poet Barbara Barg provides the text for Flags and joins the duo on spoken word on What a Pretty Dog in honor of Monique's dog Suki, who was accustomed to hearing this phrase regularly from strangers throughout her life.

Item number DL-CD-30; CD $16.00

 

Pauline Oliveros - Tara's Room - Two Meditations on Transition and Change

"Both pieces are intended to aid the listener in times of spiritual change, but are just fine for 'everyday' use as well. Highly recommended." Charles S. Russell, Ear Magazine

The two works on this cd - Tara's Room and The Beauty of Sorrow were composed and performed by Pauline Oliveros and recorded in May 1987. Previously only available as a cassette and long out of print, Deep Listening is proud to make these wonderful pieces available on cd.
Item number DL-CD-22; CD $16.00



Electrotherapy

"Electrotherapy is a collection of sound pieces based on studio recordings of early 20th-century electrical devices, including induction coils, a diathermy machine, an ultra violet ray oscillator, and a sectorless wimshurst machine. These devices were recorded at close range, and form the basic source material for all tracks on the CD. Thanks to Pete Barvoets, who kindly allowed me to record the devices that are part of his private collection." - Scott Smallwood

Item number DL-CD-29; CD $16.00






Zeitgeist - If Tigers Were Clouds

Eight decades of women in experimental music. Featuring - Pauline Oliveros, Mildred Couper, Annie Gosfield, Eleanor Hovda, Beth Custer, Johanna M. Beyer and Yoko Ono.

Item number PO-COMP-8; CD $16.00  OUT OF STOCK



Recording Field, H

"Recording Field, H" features several firsts: the first recording bringing together Pauline Oliveros and interface; the first video documentation of interface and their unusual instruments; the first video documentation of the sonic character pieces Streams and Pikapika; the first duo connecting shakuhachi and the bowed-sensor-speaker-array; finally, the first DVD released by Deep Listening Publications.

The odd-numbered tracks are electronic improvisations, created spontaneously with custom-made instruments. The even-numbered tracks feature Tomie Hahn as two radically contrasting sonic characters; in "Streams" each gesture of the dreamlike apparition recalls bodies of water, technology, a flow of information, transmission, and liquid states; as Pikapika, Tomie embodies a spunky character influenced by anime, Japanese dance, and bunraku. In both pieces Tomie wears a sensing device developed by Curtis Bahn. This interface enables Tomie to negotiate full control of all aspects of the virtual soundscape structure with her movements.

Pauline Oliveros - accordion and Expanded Instrument System (EIS)
Curtis Bahn - sensor bass
Tomie Hahn - interactive dance system and shakuhachi
Dan Trueman - sensor violin and bowed sensor/speaker array

Item number DL-DVD-27; DVD $19.00

 

Deep Listening Band / Joe McPhee Quartet
UNQUENCHABLE FIRE
"Joe McPhee's Unquenchable Fire, a work inspired by Rachel Pollack's award-winning novel of the same title, was commissioned by The Deep Listening Institute for the Deep Listening Band and premiered at Lincoln Center Out-of-Doors. The Deep Listening Band explores the sensual combination of musical sound combined with natural sound, as well as the sounds of daily life and one's own thoughts."

Item number DL-CD-19; CD $16.00


New Circle Five
DREAMING WIDE AWAKE

Monique Buzzarté, trombone; Rosi Hertlein, violin/voice; Susie Ibarra, percussion; Kristin Norderval, voice; Pauline Oliveros., accordion. "Spanning three generations, New Circle Five is an acoustic improvising contemporary music ensemble. Diverse musical backgrounds result in unique twists as the five explore the one-time only sonic environment of collective creative improvisations. On this, their debut recording, New Circle Five perform their unique blend of collective creative improvisations from dreams of a non-violent world."

Item number DL-CD-20; CD $16.00

Evidence
OUT OF TOWN

NEW! Out of Town, the first full-length release by Evidence, features five structured improvisations recorded on stage and in the studio. Based on field recordings made during a road trip during the summer of 2002, each composition explores the acoustic and timbral eccentricities specific to each location. These are sculpted into a mix of rolling ambient planes, textural sound puzzles, articulated noises, and polyrhythmic whirlwinds, revealing and redesigning the microscopic intricacies and larger shapes of the carefully recorded soundscapes.

Item number DL-CD-23; CD $16.00

Pauline Oliveros
GHOSTDANCE
 The long awaited soundtrack of the Ghostdance music and dance collaboration between Oliveros and Paula Josa-Jones, commissioned by Lincoln Center Out-of-Doors. Performed by: Pauline Oliveros (accordion/EIS), David Gamper (djembe/EIS) & Julie Lyon Rose (voice/EIS). "The Expanded Instrument System (EIS) used in this recording is an evolving electronic sound processing environment dedicated to providing improvising musicians control over various interesting parameters of electronic transformation of their acoustic instruments. Performers each have their own setup which includes their delay and ambiance processors, microphones, signal routing and mixing, and a computer which translates and displays control information from foot pedals and switchs."

Item number DL-CD-07; CD $16.00

 

Pauline Oliveros
PRIMORDIAL LIFT
Minimalist composer and founding member of the Deep Listening Band, Pauline Oliveros is known for creating pulsating soundscapes and sonic meditations. In these premier recordings, however, she engages a more aggressive, electric sound with assistance from fellow minimalists Tony Conrad and Alex Gelencser, and Gastr Del Sol's David Grubbs. Within a strategic modulation processed through a low-frequency oscillator, Conrad's violin, Grubbs' harmonium, and Oliveros' signature accordion drone and enthrall. The guiding metaphor of Primordial Lift structures the musicians' performances, mirroring the resonate frequency of the earth and its acceleration from 7.8 to 13hz and beyond. In 1994 the frequency was already at 8.6 and 13hz will be achieved by 2010, at which point the magnetic fields of the earth will pass through a zero point and a polar shift will occur. The acceleration from 7.8 to 13hz is 'Primordial'; 13hz and beyond is 'Lift'

Item number PO-CD-15; CD $16.00   OUT OF STOCK

Diana Slattery
THE MAZE GAME
The Maze Game tells the story of a cult of mortal Death Dancers who, for 2000 years, have kept the immortal Lifers riveted with the brutal beauty of combat in a maze made of the visual language, Glide. The Dancer is pitted against an immortal Player, and, though the Dancer may win many times, the maze game always, eventually, ends in the spectacle of the Dance of Death. Now, the survival of the game itself is threatened. Dancemaster Wallenda and the four young Dancers of the Millennium Class battle Joreen, the drug lord plotting to regain control of the game. Wallenda is forced by Joreen to reveal the dark secrets of the maze game¹s origin, at the risk of destroying his students¹ commitment to Dance. But the greatest force undermining the game is love. The young Dancer Daedelus must choose between the delicate T¹Ling, willing to die for love, and the fiery MyrrhMyrrh, who would kill for it. The cyborg, Angle, struggles with the longing to replace his human flesh and the knowledge that cold chrome repels the warmth of human touch. As they train for and compete in the Millennium Games, each Dancer confronts the shifting faces of love and idealism, and comes to terms with the meaning of the maze game and the Dance of Death.

Item number SD-W-1; Novel $10.95

Neil Rolnick
FISH LOVE THAT
With Todd Reynolds, violin; Andrew Sterman, woodwinds; Ron Horton, trumpet; Neil Rolnick, keyboards; Steve Rust, bass; Dean Sharp, drums

The core of this project has been the idea of letting a way of working develop over time. FISH LOVE THAT came together for a concert in New York City every month between September 1996 and June 1998, first at the Knitting Factory, and then at HERE. Since then, we have played several times a year. To keep the focus on freshness and improvisation, we don't rehearse a lot. We get together for an hour or two before each concert, and generally go over new material, but only enough to know how it's put together. We don't actually try to rehearse a full performance. Instead, we try to keep the focus sharply on the performance itself, with the audience listening while we explore the musical ideas.

Although I wrote all the music for the first concerts, other players started to bring in pieces for the band from very early on. Andrew Sterman, Steve Rust and Todd Reynolds all jumped right into the heart of the concept, putting together charts which challenge us to play freely and imaginatively together, but which give us a structure and focus which keep the individual pieces unique. When we're playing well, it seems to me that we find an exciting musical landscape -- one with coherent melodies, driving meters and harmonies, but with the ability to be transformed and shaped fluidly. It's not jazz. It's not "free" improvisation, but neither is it "composed music." It's somewhere in between.

Item number DL-CD-18; CD $16.00

Timeless Pulse
George Marsh (percussion)
Pauline Oliveros (accordion)
David Wessel (computer realized sound)
Jennifer Wilsey (percussion)

Formed in 1993 in a residency at the Deep Listening Institute, the musicians of Timeless Pulse make music together through listening and responding in the moment. This CD is an unedited recording of a concert at CNMAT on Sunday, March 10, 2002.

Item number DL-CD-21; CD $16.00


Norman Lowrey
In Parallel: Dreaming into Alternate Universes for Singing Masks & Electronics
with text by Fred Alan Wolf

Recorded in performance at Ione's 5th Annual Dream Festival, Deep Listening Space, Kingston, NY, October 14, 2000. Juxtaposing passages from theoretical physicist Fred Alan Wolf's Parallel Universes (Simon & Schuster, 1988) with recordings made over the years of a wide variety of things ranging from frogs in New Mexico to the soundscape at the corner of 46th and Broadway in NYC, In Parallel is a ceremony guided by the Singing Masks which invites the participants to use sound triggers to dream into alternate universes.

Item number DL-CD-24; CDR $16.00 OUT OF STOCK

Norman Lowrey
DreamWeaving A Singing Mask Ceremony

Recorded in performance at Ione's Sixth Annual Dream Festival, Deep Listening Space, Kingston, NY, October 6, 2001. The accompanying soundscape for DreamWeaving consists of recordings of over 50 dreams submitted to Ione's Dream Festival Dream Sack and to the Deep Listening Institute Deep Listening listserv, together with recordings made of birds in a woods in western New York state. The audience was invited to contribute dreams at any time during the live presentation. The Singing masks sound along with this tapestry of communal dreaming, guiding and translating the dreamscape into their language of ceremonial dreamtime.

Item number DL-CD-25; CDR $16.00 OUT OF STOCK

Norman Lowrey
RiverSoundMind for Singing Masks & Electronics
on a Poem by Pauline Oliveros

Recorded live in concert, F.M. Kirby Shakespeare Theater, Drew University, Madison, NJ , April 23, 2001. The accompanying soundscape here consists of recordings made a various sites on the Delaware River together with a transformed sounding of Pauline Oliveros' poem Humayun's Tomb, which is about the mind of sound. The text was processed using granular synthesis and "folded" into river sounds to make a somewhat human-sounding voice seem like another of the river's many complex voices. Various masks function as guides along this sonic journey into the intelligence of River and Sound itself.

Item number DL-CD-26; CDR $16.00 OUT OF STOCK


Scott Smallwood
Desert Winds : Six Windblown Sound Pieces and Other Works
Desert Winds is a series of six compositions based on the field recordings made in the Wendover/Great Salt Lake Desert Region on the Utah/Nevada border. As a sound artist who utilizes field recordings, I initially was concerned about the high desert winds causing technical difficulties for me. However, I soon discovered that the desert wind was one of the most interesting assets to me in my quest for finding interesting objects/sites to record. The sounds recorded were all produced by the wind.

Item number DL-CD-17; Compact Disc $16.00

Carrier Band
Automatic Inscription of Speech Melody
The Carrier Band was formed in 1998 when Pauline Oliveros, Peer Bode and Andrew Deutsch performed 3 improvisations at Alfred University and later released the Carrier CD on DL. The title piece 'Automatic Inscription of Speech Melody' is a trio improvisation by Carrier Band based on quotes written in the technical notebooks (1934-1949) of pioneering electronic instrument developer Harald Bode. The piece weaves words and phrases excerpted from the notebooks spoken and vocoded by Peer Bode through the Bode Vocoder. The vocoder transfers speech onto pitched sounds and the VOICE releases the CARRIER sounds. These texts, along with Pauline's electronic sounds created on her Difference Box were mixed with loops and excerpts of Harald Bode's demo tapes and synthesized sounds constructed by Deutsch. The LFO drone heard at the beginning was Pauline's entrance into the piece. 'Earth Orbit' is a quartet improvisation which Dick described as being 'the most fun he's ever had performing' loops and text from Harald Bode's notebooks were once again used along with data sets generated by Deutsch."

Item Number DL-CD-16; Compact disc $16.00

STRAYLIGHT
Straylight is an ambient, avant world trio featuring Jason Finkelman (berimbau, percussion), Geoff Gersh (guitar) and Charles Cohen (Buchla Music Easel). Dedicated to the art of improvised music, Straylight's members have been performing concerts and theater works since 1993. Their Knitting Factory concert series Straylight Dialogues explored the languages of improvised music with many artists across the genre including Pauline Oliveros, Joe McPhee, Brian Ritchie, J.D. Parran, Burton Greene, DJ Olive, and Bradford Reed. They received a New York Dance and Performance Award, a Bessie, for composing the music for Cynthia Oliver's SheMad (2000). Their debut release, Straylight, on the Deep Listening label features a live concert recorded at the Knitting Factory.

Item number DL-CD-15; Compact Disc $16.00

SPRINGS
Duos and solos by Pauline Oliveros (accordion) and Andrew Deutsch (electronics, modified television, bells) remixed by Andrew bearing in the mind this quote from Pauline's Software for People

"Unity through variety - variety through unity. Elements: Similarity of the sounds (unity), the transient swirling of leaves, the static nature of the foundation (variety).... How can unity dominate without destroying variety and vice versa? How can the two principles illuminate each other?....."
This CD in a limited edition of 400 with individual tray bottom inserts including hand made and collaged elements. Produced in cooperation with the Institute for Electronic Arts.

Item number DL-CD-9; Compact Disc $16.00 OUT OF STOCK


Pauline Oliveros in the Arms of Reynols
"Throughout the album Oliveros's music is viewed afresh, but Reynols are consistently careful to retain as much of its sonorous essence as possible. It's undoubtedly a more fitting and responsive remix project than some other recent attemps to refashion the great icons of minimalism music. For all their initial oddness, reynols have fashioned something sensitive and luminous." -- Brian Duguid THE WIRE MAGAZINE february 2000 (CD re-release). A JDK Productions Cream Garden release.

Item Number PO-CD-16; Compact Disc $16.00 OUT OF STOCK 


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