In the Great Abbey of Clement VI
Stuart Dempster
The works included on these recordings, Standing Waves and Didjeridervish are improvisatory in nature. There is no score per se but the material is based on Dempster's 15 years of experience with resonance. The recording takes full advantage of the natural 14 second reverberation in the Great Abbey of Clement VI in Avignon, France. The sound has been called "simply extravagant" by Merce Cunningham.
In the Great Abbey of Clement VI
Stuart Dempster
The works included on these recordings, Standing Waves and Didjeridervish are improvisatory in nature. There is no score per se but the material is based on Dempster's 15 years of experience with resonance. The recording takes full advantage of the natural 14 second reverberation in the Great Abbey of Clement VI in Avignon, France. The sound has been called "simply extravagant" by Merce Cunningham.
Integrity 29 (2004)
Stuart Dempster
For any performer combination. 29 pieces composed in celebration of leap year and as a response to Composer Challenge by Seattle's Monktail Creative Music Concern. Any two pieces can be performed together, if desired. When this option is exercised, take advantage of the two meanings separately and/or together.
"Each piece must have integrity." — Ryan M.
